Thunderclap and whirlwind
CHF
45 (adults) / 20 (children)

About The Programme
The writer Urs Widmer from Basel once wrote a brief parable about the tragedy of missed opportunities, all couched in his unique blend of irony and melancholy. He entitled it *Timpanist!* “You don’t have to play much, but it’s only in the opera that you have a quiet time because no one except those in the cheap seats can see into the orchestra pit and check out your comings and goings. They suspect that you’re sitting backstage, having a drink with the man on fire duty. But you’ve got all the operas by Wagner and Humperdinck in your head, and you’re always at your instrument ten seconds before you have to hit it. Once, a guest conductor wanted to give you a cue with an intimate glance. When he saw your empty chair, he fainted, fell onto your timpani, and in fact got your entry just right. You stood helplessly next to the timpani and next to Furtwängler, and the orchestra got through the rest of the final act of its own accord – in other words, a young cellist jumped onto the podium and conducted like a god. You lay awake in bed all that night and wondered: “Why didn’t I jump in? Man, you’ll never get another chance like it. And nor did you”.
In a symphony concert – unlike in the opera – the timpanist usually has to remain seated on stage throughout. So Lena-Lisa Wüstendörfer, who will be conducting the Swiss Orchestra in this family concert, probably won’t run any risk of finding an empty timpani chair and faint from fright. That’s just as well, because we need Lena-Lisa on the conducting podium and the percussionists at their drums (even though this can prevent them from having a great conducting career). And it’s the percussionists who are centre-stage in the concert “Thunderclap and whirlwind”. The Uri Percussion Ensemble was founded by Christoph Gautschi in 2002 with active and former percussion students of the Uri Music School, and they here present their diverse range of instruments. One thing is clear, though: this isn’t just about banging on and making noise, for we will also hear tender melodies, powerful sounds, soft rhythms and have lots of fun. Listeners young and old are invited to get to know the orchestra from the percussion side of things – to marvel, to empathise and also to join in, just a little. What will happen, exactly? We can’t tell you yet – just this much: there’ll be thunderclaps and whirlwinds, and it definitely won’t be boring!
Lineup
SWISS ORCHESTRA
URI PERCUSSION ENSEMBLE WITH CHRISTOPH GAUTSCHI
NEŽKA PROSENJAK, marimba
LENA-LISA WÜSTENDÖRFER, conductor
programme
This family concert, featuring the Uri Percussion Ensemble and the Swiss Orchestra under the baton of Lena-Lisa Wüstendörfer, will be real bang-on fun – and there’ll be ample lovely melodies too. Fun in music for kids of all ages from 5 upwards.

- 15:30Doors open
- 16:00concert (incl. break)
- 17:00Approx. end time
concert hall
Andermatt
How to get there
Details on how to get there can be found on the ANDERMATT MUSIC website.
barrier-free access
The Andermatt concert hall is barrier-free. Wheelchair tickets are available via email at info@andermattmusic.ch or at Andermatt Alpine Apartments at +41 41 888 78 00.
Seating on the balcony is recommended for people with reduced mobility. Chamber music concerts and New Folk Music concerts usually do not have grandstand seating: Here, all seats are accessible without steps.
The Andermatt concert hall has an inductive listening system.
Garderobe
evening ticket office
The box office opens 1 hour before the start of the concert.
Doors open / late entry
Admission to the concert hall is 30 minutes before the start of the concert. Late admission is only possible during applause between plays and on the guidance of the hall staff.
Discount
Discounts are available for children, students and members of the Gotthard MemberClub. Details about the benefits can be found here.
Percussion ensemble Uri with Christoph Gautschi
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