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Sat
2.7.22 7:30 pm
Uhr
Andermatt
concert hall

surprise: swiss symphonic music

alle konzerte
Tour #
4

About The Programme

A popular hit that’s rarely performed, a Swiss piece that made it onto the Titanic, a link between Russia and Switzerland and a dulcimer led astray. That’s one way of summing up the works in this third concert of the Swiss Orchestra’s season. But let’s take things one step at a time. Our concert begins with Wolfgang Amadeus Mozart’s Kleine Nachtmusik – his Little Night Music – whose first movement is surely known to everyone, and could quite easily serve as a generic calling card for all classical music. Despite its fame, this serenade for strings is actually rarely heard in the concert hall. The Swiss Orchestra will here let it shine forth in all its glory.

Paul Huber’s Concerto for dulcimer and string orchestra takes up an instrument that is well-loved in Swiss folk music, and brings it into the classical concert hall. The result is a fascinating combination of traditional classical music and popular music – such as in the moment when the sweet-sounding dulcimer strikes up a ländler dance in the midst of a late-Romantic orchestral passage. The soloist is the dulcimer virtuoso Christoph Pfändler, who negotiates his path between these different worlds with stylistic aplomb.

After the interval, the Cavatina by the Swiss composer Joachim Raff will lead our audience into the Romantic sound-world of the 19th century. This is the best-known work by this Swiss composer, whose 200th birthday we are commemorating this year. It was originally conceived as one of his Six Morceaux for violin and piano, but became so popular that it was arranged for the concert hall and was even played on the fateful maiden voyage of the RMS Titanic in 1912.

The concert closes with excerpts from Pyotr Ilyich Tchaikovsky’s Serenade for strings, whose movements here alternate with those of Paul Juon’s 5 Pieces for string orchestra. This unusual interweaving brings together a Russian citizen with personal connections to Switzerland, and a Moscow-born Swiss with roots in the canton of Graubünden. It offers a perfect example of the Swiss Orchestra’s guiding principle – combining little-known Swiss compositions with classics of the repertoire.

The concert on 2 July 2022 will be recorded by Radio SRF 2 Kultur and broadcast on 31 July 2022 at 4 pm in the radio programme “Im Konzertsaal”.

Lineup

CHRISTOPH PFÄNDLER, dulcimer
SWISS ORCHESTRA
LENA-LISA WÜSTENDÖRFER,
conductor

programme

WOLFGANG AMADEUS MOZART (1756–1791)
«Eine kleine Nachtmusik», Serenade No. 13 for strings, in G major, K. 525

PAUL HUBER (1918– 2001)
Concerto for dulcimer and string orchestra

JOACHIM RAFF (1822–1882)
Cavatina from «Six Morceaux», op. 85 No. 3, arranged for solo violin and strings

PIOTR ILJITSCH TSCHAIKOWSKI (1840–1893)
AND PAUL JUON (1872–1940)

Highlights from the Serenade for strings in C major, op. 48 and 5 Pieces for string orchestra, op. 16

Venue

concert hall

Andermatt

How to get there

Details on how to get there can be found on the ANDERMATT MUSIC website.

barrier-free access

The Andermatt concert hall is barrier-free. Wheelchair tickets are available via email at info@andermattmusic.ch or at Andermatt Alpine Apartments at +41 41 888 78 00.

Seating on the balcony is recommended for people with reduced mobility. Chamber music concerts and New Folk Music concerts usually do not have grandstand seating: Here, all seats are accessible without steps.

The Andermatt concert hall has an inductive listening system.

Garderobe

evening ticket office

The box office opens 1 hour before the start of the concert.

Doors open / late entry

Admission to the concert hall is 30 minutes before the start of the concert. Late admission is only possible during applause between plays and on the guidance of the hall staff.

Discount

Discounts are available for children, students and members of the Gotthard MemberClub. Details about the benefits can be found here.

Christoph Pfändler, dulcimer

Christoph Pfändler owes much to his first dulcimer teacher Töbi Tobler, who allowed him to take unconventional paths and encouraged his broad musical interests that range from metal to contemporary. Pfändler studied at the Lucerne School of Music HSLU and since 2013 has been playing in the band of the dialect singer “Kunz”. Besides making his own CDs with his “Metal Kapelle”, Pfändler has also released a free improvisation recording with Töbi Tobler entitled TOPF 1, and the album Roots with “Stalldrang”, which took Pfändler back to his roots in folk music. In 2024, he released his solo album Stimmig. He is a sought-after soloist for various orchestral works, and teaches the hammered dulcimer at the HSLU and the Zug Music School.

For everyone who wants to hear Swiss symphonic music, and to live it too

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